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Jazz drummer Moses Boyd sets October 30 for the album Songs For Sinners

His first record in six years arrives on Exodus, led by "Criticise" with the London vocalist Amber-Simone.

Moses Boyd

Moses Boyd laughs mid-sentence in a recording booth, wearing over-ear headphones and a white T-shirt with sunglasses hooked at the collar.
Boyd recording a podcast episode with the Midi Music Company in August 2018. Photo: The Midi Music Company, CC BY 3.0, via Wikimedia Commons

Moses Boyd will release Songs For Sinners on October 30 through Exodus. It is the first album in six years from the drummer, following a return to activity over the summer, and he has previewed it with the single "Criticise".

Boyd has been a fixed point in British music since "Rye Lane Shuffle", the club track that pulled his drumming out of the jazz rooms and onto dancefloors. He has taken his time over the next step, and the gap between records is the longest of his career so far.

"Songs For Sinners is a sound I've wanted to create since I got into music," Boyd said, calling it the hardest he has worked on anything and the body of work he has poured the most of himself into.

He traces the album back to being surrounded by gospel music his whole life, then finding his own way through jazz and sound system culture. His label describes the result as a full manifestation of a vision he has been circling for years rather than a step to one side.

"Criticise" carries a performance from the London-based vocalist Amber-Simone and sets abstract slices of soul against Boyd's drumming. The song is about shame and forgiveness, which is a heavy thing to lead a campaign with rather than an obvious single.

The record sits where his work usually does, between jazz and electronic production, and its October 30 release is logged on the release calendar.

The facts

  • Songs For Sinners is out October 30 via Exodus
  • First Moses Boyd album in six years
  • Lead single "Criticise" features Amber-Simone
  • Boyd is known for the club track "Rye Lane Shuffle"
  • He cites gospel, jazz and sound system culture as sources

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